MFJ 69 “Deep Cuts”

Spring 2019

 

This issue engages an impressive array of contemporary film and video practices marked by substantial formal, cultural, financial, and political differences. Yet the contributions that comprise this issue also interface in intriguing ways. The issue’s title, “Deep Cuts,” seeks to draw out thematic correspondences between these contributions, illuminating points of contact that emerge across a collection of reviews, articles, and conversations structured by recurring themes of music, montage, and obscurity, as well as experiences of intense and lasting violence (whether ecological, political, bodily, representational). We leave it to the reader to determine whether such intersections are the result of blind chance, or of the shared historical situation inhabited by the artists and authors featured in this issue.

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TABLE OF CONTENTS

 

Introduction
Josh Guilford

 

REVIEWS

Jodie Mack’s The Grand Bizarre
Vincent Warne

Film Nights on the Venice Lido: The Space Between Painting, Film, and the Digital (Notes and Citations)
Vera Dika

Pat O’Neill, The Decay of Fiction (Notes and Citations)
Jennifer Peterson

Memories Silenced, Unspool: Anocha Suwichakornpong’s By The Time it Gets Dark
JinJin Xu

The Image You Missed and Empty Metal at RIDM
Rachel Stevens

Tony Oursler Tear of the Cloud
Annie Dell’Aria

Jack Smith: Art Crust of Spiritual Oasis
Josh Lubin-Levy

Marianna Simnett at the New Museum
Lucea Spinelli

Magic Lantern Film Festival
Antonio Pezzuto

The Necessary Image: On the 64th Flaherty Seminar (Notes and Citations)
Teresa Castro

 

STUDIO VISITS

Pat O’Neill Studio Visit
Grahame Weinbren

 

CONVERSATIONS

Cauleen Smith and Christopher Harris at the 2018 Flaherty Seminar (Notes and Citations)

 

ARTICLES

King’s Speech: On Arthur Jafa’s akingdoncomethas (Notes and Citations)
Soyoung Yoon

The Ecological Cut (Notes and Citations)
Ryan Conrath

Books Received

Additional information

Weight 13 oz
Dimensions 8 × 10 in
Publication Date

15 April 2019, Spring Issue

Pages

98

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