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Articles
In this section we post our latest news, video essays, exclusive online content accompanying our published journal, etc.
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EMAF 2022 Continued: Commentary on Selected Works
Read Grahame Weinbren’s European Media Art Festival (EMAF) 2022 online review. This is a continuation of a printed review in MFJ 76 “Worlds”.
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Commute
Read Paul Arthur’s journey with Bruce Baillie’s 1995 video portrait “Commute.” This article was published in MFJ No. 29 “Video Installation.”
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Shared Resources
Read Carmine Grimaldi’s in-depth review of Jordan Lord’s 2021 documentary “Shared Resources.” This article was published in MFJ No. 75 “Boundaries.”
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Video Essay: Virtual Horizon or après le feu and the vanishing point of the real
Vincent Warne traces the continuity from the Lumières’ Arrival of a Train at La Ciotat (1896) to Jacques Perconte’s Après le feu (2010).
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Painting the Light Fantastic: Carl Brown
Mike Hoolboom reviews Canadian filmmaker Carl Brown’s early work, which he claims is part of the “invisible cinema scene.”
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NYC Symphonies of the Millennium Film Workshop
MoMA introduces a new film series featuring Millennium Film Workshop filmmakers. Get the full details for the first two events happening this February.
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Editors’ Picks – Winter 2022
Our editors have curated a special selection of events for MFJ readers we believe are a must-see this winter season 2021/2022!
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Thoughts on Shirley Clarke and The TP Videospace Troupe
Andrew Gurian reviews Shirley Clarke and The TP Videospace Troupe. Clarke’s workshops were live and evanescent events; what remains are fragments.
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Lucy Raven’s ‘Ready Mix’
Andrzej Jachimczyk invites you to go visit Lucy Raven’s exhibition at Dia Chelsea, open until December 30, 2021.
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The Mechanics
Directed by Christoph Janetzko Sound by Makin Fung Bin Fai The Mechanics (2021, Germany, 23 minutes) by one of Germany’s most consistent filmmakers is a marvel. It is a cinematographic jewel, a… -
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Video Essay: Things Are Not What They Seem [ Part II ]
Grahame Weinbren explores the e-flux “Artist Cinemas” series: 4 sets of 6 films, each set programmed by a practicing filmmaker.
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Help reinstate SFMOMA’s film program
In response to the recently announced San Francisco Museum of Modern Art program and position cuts, particularly the elimination of the Artists Gallery, Film, and online arts publication Open Space.
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