In a time when we spend so many waking hours looking at screens, it’s important to remember that the images we are surrounded by are not merely reflections of the world, but part of its very substance.

The paradox at the heart of any film writing is the impossibility of capturing images in words… The Journal holds space for this contradiction, with the understanding that the experience of moving images and the context of static words can work together to say something new about the material conditions they both emerged from.

Excerpted from Vince Warne’s Introduction to MFJ 82 “Real Life” (Fall 2025).

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Marina Zurkow: Parting Worlds

Vince Warne

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NYFF63 CURRENTS: Program 5: Fields of Vision

Edward Frumkin

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NYFF63 CURRENTS: Mare’s Nest

Yanxiu Luo

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NYFF63 CURRENTS: Program 3: Common Ground

Soham Gadre

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NYFF63 CURRENTS: Back Home

Yuka Murakami

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NYFF63 CURRENTS: Program 2: Afterimages

Dylan Adamson

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NYFF63 CURRENTS: Program 1: Below the Surface

Nick Kouhi

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NYFF63: An Interview with Alexandre Koberidze

Matilda Hague

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Prismatic Ground: Los Angeles, The Mills, and A Moon

Will DiGravio

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Anne Waldman’s Continuing Voice in Outrider

Vera Dika

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The Long View: A Conversation with Peter von Ziegesar

Cortland Rankin

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Continuous Energies: A Kumar Shahani Retrospective at Prismatic Ground

Hannah Bonner

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Background: Daïchi Saïto, earthearthearth (2021), frame enlargements. Courtesy the artist.

 

© Copyright 2025 | Millennium Film Journal. All Rights Reserved.

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