MFJ 65 “Architecture On Screen and Off”

Spring 2017

 

No architecture is neutral: its history and the ideologies that drive that history are always inscribed on its surface, in however coded a form. Many of the contributions to this issue model different ways of attending to and deciphering such inscriptions, underscoring the importance of situating images within their expanded, architectural frames.

The issue also includes three texts about artist’s video of the 1970s and ‘80s. Each reveals different aspects of the period.

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Description

TABLE OF CONTENTS

 

Introduction
Grahame Weinbren

 

REVIEWS

David Claerbout, KINDL Center for Contemporary Art
Steven Jacobs

Marianna Simnett, Seventeen gallery
Melvin Harper

Eve Fowler, Participant Inc.
Rachel Valinsky

Artificial Darkness by Noam M. Elcott
Robert Bowen

Pipilotti Rist, New Museum
Rachel Stevens

 

ARTIST PAGES

Is the Imagination Analog or Digital?
Tom Sherman

 

ARTICLES

Beware the Light: Figure versus Ground, White versus Black (Blue),
or: Sondra Perry’s Blue Room and Technologies of Race (Notes and Citations)
Soyoung Yoon

(Community) Video Art: DCTV’s Expanded Documentary Practice (Notes and Citations)
Joel Neville Anderson

The Invention of Glitch Video: Digital TV Dinner (Notes)
Michael Betancourt

 

INTERVIEWS

“What are we watching?!”: An Interview with Coleen Fitzgibbon about Colab TV (Notes and Citations)
Ben Olin

Connect and Rupture: Jesse McLean on See a Dog, Hear a Dog
Eli Horwatt

Books Received 2016

Additional information

Weight 13 oz
Dimensions 8 × 10 in
Publication Date

15 April 2017, Spring Issue

Pages

88

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Picture Editor

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