Loading cart contents...
MFJ 56 “Material Practice: From Sprockets to Binaries”
Fall 2012
In the so-called digital age, binary technologies are embedded everywhere we look, but, as the artists discussed in this issue demonstrate, this does not eradicate the complex crossovers and fissures between the Analog and the Digital, between works grounded in the laws of optics and chemistry and those grounded in the laws of mathematics.
Over the 34 years of its publication, many issues of the Millennium Film Journal can reveal only the tip of the iceberg of their subjects. The topics discussed in this particular issue are so widespread, so integral in the current climate of artists’ moving image culture, and so expansive beyond that culture, that the metaphor is more apt than ever. It is our hope that the discussions in MFJ 56 will fan outward, like the wave patterns in the ocean generated by the newly formed iceberg, larger than Manhattan, that this year separated from one of the mainland glaciers of Greenland. We also hope and expect that these tides will continue to ebb and flow in future issues of this journal.
Only a few print copies left!
$10.00 – $20.00
Description
TABLE OF CONTENTS
Grahame Weinbren
Introduction
REVIEWS
Kim Knowles
Tacita Dean Film
Carolyn L. Kane
Error as Critical Praxis, Review of Peter Krapp’s
Noise Channels: Glitch and Error in Digital Culture
Rachel Stevens
JODI: Street Digital
Chris Kennedy
Evan Meaney: the well of representation
Kenneth White
Michael Snow: In The Way
INTERVIEWS
Justin Remes
Sculpting Time: An Interview with Michael Snow
ARTICLES
Martin Rumsby
Photographic Memory: Diary of a Viewer
Jihoon Kim
Bruce Elder’s Film-Digital Hybrids and Materialist Historiography
Lucy Reynolds
Laure Prouvost: Incorrect Syntax
Clint Enns
Navigating Algorithmic Editing:
Algorithmic Editing as an Alternative Approach to Database Cinema
SPECIAL FEATURE
Processing Parameters: A Lecture by Hollis Frampton
Introduction by Gerald O’Grady
ARTIST PAGES
Bradley Eros
‘more captivating than phosphorus’
Janis Crystal Lipzin
A Materialist Film Practice in the Digital Age
Sandra Gibson and Luis Recoder
COLOR ILLUSTRATIONS
Katherine Bauer
Steven Woloshen
Richard Tuohy
IN MEMORIAM
Scott MacDonald
Amos Vogel
Bill Horrigan
Chris Marker
Additional information
| Weight | 9 oz |
|---|---|
| Dimensions | 7 × 10 in |
| Publication Date | 15 October 2012, Fall Issue |
| Pages | 92 |
| Editors | |
| Designer | |
| Contributors | Bill Horrigan, Bradley Eros, Carolyn L. Kane, Chris Kennedy, Clint Enns, Gerald O’Grady, Hollis Frampton, Janis Lipzin, Justin Remes, Katherine Bauer, Kenneth White, Kim Jihoon, Kim Knowles, Lucy Reynolds, Luis Recoder, Martin Rumsby, Rachel Stevens, Richard Tuohy, Sandra Gibson, Scott MacDonald, Steven Woloshen |
Available Online Content
Related products
-
![]()
MFJ 70 “Body Memory”
Select options This product has multiple variants. The options may be chosen on the product page -
![]()
MFJ 69 “Deep Cuts”
Select options This product has multiple variants. The options may be chosen on the product page -
![]()
MFJ 71/72 “CRISIS”
Select options This product has multiple variants. The options may be chosen on the product page -
![]()
MFJ 63 “Exchanges & Convergences”
Select options This product has multiple variants. The options may be chosen on the product page
Reviews
There are no reviews yet.