MFJ 60 “Fundamentals”
Fall 2014
Enrico Camporesi & Rinaldo Censi’s enlightening conversational interview with Fisher is paired with Joana Pimenta’s precise analysis of his work centered on the film (). Both texts describe the way Fisher’s cinematic work is often based on or generated by the procedures, the apparatus, or, generally, the contrivances of filmmaking. This basic idea marks the major theme of this issue, the various connections between artists’ moving image and the fundamentals of cinema.
$10.00 – $20.00
Description
TABLE OF CONTENTS
Grahame Weinbren
Introduction
REVIEWS
Joel Schlemowitz
Karpotrotter at the Tribeca Film Festival
Caroline Koebel
52nd Ann Arbor Film Festival
J. Ronald Green
Lynne Sachs: Disarming Drift
Susan Felleman
Erika Balsom’s Exhibiting Cinema in Contemporary Art
ARTICLES
Kim Knowles
Self-Skilling and Home-Brewing: Some Reflections on Photochemical Film Culture
Pip Chodorov
The Artist-Run Film Labs
Alison Wielgus
Inside the Director’s Studio Screening Room, Art and Avant-Garde Cinema,
and Television’s Pedagogical Impulse
Ara Osterweil
James Turrell, Dreams Beyond Cinema
Joana Pimenta
Serial Chance: Inserts and Intruders
COLOR ILLUSTRATIONS
Penelope Spheeris
Bradley Eros and Aline Mare
Robert Schaller
Esther Unis
Joanna Vaude
ARTIST PAGES
Faith Holland
VVVVVV
INTERVIEWS
Enrico Camporesi and Rinaldo Censi
Single-takes and Great Complexities: A Conversation with Morgan Fisher
IN MEMORIAM
Jill Godmilow
Harun Farocki 1944–2014
Additional information
Weight | 10 oz |
---|---|
Dimensions | 7 × 10 in |
Publication Date | 15 October 2014, Fall Issue |
Pages | 96 |
Editors | |
Picture Editor | |
Designer | |
Contributors | Aline Mare, Alison Wielgus, Ara Osterweil, Bradley Eros, Caroline Koebel, Enrico Camporesi, Esther Unis, Faith Holland, J. Ronald Green, Jill Godmilow, Joana Pimenta, Joanna Vaude, Joel Schlemowitz, Kim Knowles, Morgan Fisher, Penelope Spheeris, Pip Chodorov, Rinaldo Censi, Robert Schaller, Susan Felleman |
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