MFJ 60 “Fundamentals”

Fall 2014

 

Enrico Camporesi & Rinaldo Censi’s enlightening conversational interview with Fisher is paired with Joana Pimenta’s precise analysis of his work centered on the film (). Both texts describe the way Fisher’s cinematic work is often based on or generated by the procedures, the apparatus, or, generally, the contrivances of filmmaking. This basic idea marks the major theme of this issue, the various connections between artists’ moving image and the fundamentals of cinema.

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