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MFJ 58 “The Magazine of Artists’ Cinema Since 1978” – 35th Anniversary, Vol.1
Fall 2013
Three and a half decades have passed since the first issue of the Millennium Film Journal, which was founded in 1978 to address a dearth of writing and few publication opportunities in an increasingly vibrant, but insistently anti-establishment, field. Needless to say, during this 35 years there have been huge developments in the conception, construction and exhibition of moving images, as well as an explosion of interest in works outside the mainstream cinema by curators, critics, scholars and the non-specialist general public. To celebrate the anniversary, we contacted experts in the field with a deliberately amorphous call for papers, asking simply for a consideration of some aspect of the artists’ cinema during the 35 years of the journal’s publication.
$10.00 – $20.00
Description
TABLE OF CONTENTS
Introduction
TENDENCIES
David Curtis
On the Search for Ideal Viewing Conditions
Maeve Connolly
Shared Viewing Moving Images in the Cinema and Museum
Erica Levin
Toward a Social Cinema Revisited:
The potential of social media from À Propos de Nice to YouTube
Peggy Gale
Tipping Point: Canadian artists, time-based media, and performance
Sean Cubitt
Angelic Ecologies: Ideas of environment in the works of media artists
A.L. Rees
Physical Optics: a return to the repressed British cinema artists
revisit 1970s tendencies
Catherine Elwes
Visible Scan Lines: on the transition from analog film and video
to digital moving image
COLOR ILLUSTRATIONS
Michele Pierson
The Object of Film Analysis: What are we describing when we analyze film?
Tobias Putrih
Omer Fast
Janet Cardiff & George Bures Miller
George Barber
Tina Keane
David Hall
Abigail Child
Henry Hills
Christoph Girardet & Matthias Müller
Tom Sherman
Gene Youngblood
WORKS
Gregory Zinman
Nam June Paik’s TV Crown and Interventionist, Participatory Media Art
Mal Ahern
An Invisible Cinema: Andy Warhol’s Films, In and Out of View
Pavle Levi
Experimental Tango, Appropriation and the photo-book:
Milošević’s Last Tango in Paris and Marinac’s The Passion of Joan of Arc
Juan Carlos Kase
Abigail Child and Henry Hills: Turn Towards the Concrete
Roy Grundmann
Experimental Cinema and the Crystals of Time: Matthias Müller’s Visual Poems
James Hansen
The Fall of Days: Luther Price’s Nine Biscuits (2004-08)
Christa Blümlinger
The Double Paths of Nicolas Rey: On autrement, la Molussie (Differently, Molussia)
Kate Mondloch
Mirror Mirror: MIRROR by Doug Aitken
RECORDS
Bruce Jenkins
In the Bedroom/On the Road: A Conversation with Sadie Benning and James Benning
William Rose
The Responsibility of Forms:
A discussion between David Gatten and Fred Worden on politics in experimental cinema
Tom Sherman
Catching up with the Present: Two Texts to demonstrate the ‘Future’ is Behind Us
Gene Youngblood
Secession from the Broadcast: The Internet and the Crisis of Social Control
IN MEMORIAM
Janis Lipzin
Jud Yalkut 1938-2013
Index of advertisers
Additional information
| Weight | 12 oz |
|---|---|
| Dimensions | 7 × 10 in |
| Publication Date | Fall Issue |
| Pages | 192 |
| Editors | |
| Designer | |
| Contributors | A.L. Rees, Abigail Child, Bruce Jenkins, Catherine Elwes, Christa Blümlinger, Christoph Girardet, David Curtis, David Hall, Erica Levin, George Barber, George Bures Miller, Gregory Zinman, Henry Hills, James Hansen, Janet Cardiff, Janis Lipzin, Juan Carlos Kase, Kate Mondloch, Maeve Connolly, Mal Ahern, Matthias Müller, Michele Pierson, Omer Fast, Pavle Levi, Peggy Gale, Roy Grundmann, Sean Cubitt, Tina Keane, Tobias Putrih, Tom Sherman, William Rose |
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