1. Email to the author, 08.21.2020.
2. Marcel Duchamp: ‘The Creative Act’ (1957), in The New Art (revised edition), Gregory Battcock ed., Dutton & Co. Inc. pp. 46-48, 1973.
3. Rosalind Krauss, (1994) ‘Grids’ in The Originality of the Avant-Garde and Other Modernist Myths, MIT press, pp 20-21.

1. From Roger Hallas AIDS and Gay Cinephilia??, Camera Obscura, 52 (Volume 18, Number 1), 2003, pp. 85-126 (Article).
2. From an interview between Julie Murray and Mike Hoolboom “Long Live Experimental Everything” MFJ 50.
3. Unreproducible: the life and work of visionary filmmaker Roger Jacoby, by Ben Ogrodnik, program notes for Carnegie Museum of Art, 2018. Ogrodnik has a footnote attributing the phrase to Carmen Vigil.
4. Email exchange between Jim Hubbard and Jeanne Liotta, Summer 2021.
5. TBD.
6. Kim Knowles, Experimental Film and Photochemical Practices (Basingstoke: Palgrave Macmillan, 2020).

This video is an example of a woman in Hebron filming from her window. It’s also the first video that B’Tselem ever published as part of its Camera Project and became part of the lexicon in Israel/Palestine. In common parlance it’s called the “Sharmuta” (arabic for “whore”):

• https://www.btselem.org/video/2007/10/settler-harassment-of-palestinians-hebron

Video examples of mapping procedure:

• https://www.btselem.org/video/20150329_night_search_in_hebron_1
• https://www.btselem.org/hebron/20150419_night_search_and_confiscation