MFJ Nos. 64, 65, & 66 Bundle

With this bundle, you will receive three MFJ volumes handpicked by our senior editor Grahame Weinbren at a discounted price.

The bundle contains:

MFJ 64 “Image Machines”
As MFJ reflects on its history, we also proceed into the future, in our continuing inquiry into artists’ cinema—the “image machine,” with and through personal vision. Questions of medium specificity have been supplanted by a kind of technical eclecticism. This new range of modalities, these “image machines,” require equally eclectic and agile work of critique. We offer a selection of texts in a range of formulations.

MFJ 65 “Architecture On Screen and Off”

No architecture is neutral: its history and the ideologies that drive that history are always inscribed on its surface, in however coded a form. Many of the contributions to this issue model different ways of attending to and deciphering such inscriptions, underscoring the importance of situating images within their expanded, architectural frames.

The issue also includes three texts about artist’s video of the 1970s and ‘80s. Each reveals different aspects of the period.

MFJ 66 “The Long Form”
As Dara Waldron points out in his article, the embrace of digital technologies, especially the availability of the DCP format, has resulted in increased circulation of the moving image (even if, for some filmmakers including Ben Rivers and Ben Russell, the preferred production medium is photochemical film). With the distribution of some non-mainstream works into movie theaters, a number of moving image artists have been producing feature-length works. This issue of the Millennium Film Journal highlights a small set of filmmakers among the many who have embraced the long form as an element of their practices.

$32.00

Additional information

Weight 33 oz
Dimensions 7 × 10 in
Format

Print

Issue

, ,

Publication Date

15 April 2017, 15 October 2016, 15 October 2017, Fall Issue, Spring Issue

Medium

Table of Contents MFJ 64

TABLE OF CONTENTS

 

Kenneth White
Introduction

 

REVIEWS

Ekrem Serdar
Eyes Without a Face, The 54th Ann Arbor Film Festival

Rachel Stevens
Omer Fast, James Cohan Gallery

Matt Turner
Between Ethics and Aesthetics: Frames of Representation

Rachel Valinsky
TeleGen: Art and Television, Kunstmuseum Bonn

Grahame Weinbren
Short Film Days, Oberhausen Film Festival 2016 (Notes)

 

ARTICLES

Vera Dika
Remaking the Serpentine Dance: Film as Material/Body as Trace

Maria Engberg
Jonathan Harris’s I Love Your Work: Procedurality and Weak Narrative

Greg de Cuir Jr & Miriam De Rosa
A treatise on the apparatus and the artistic yield of Yervant Gianikian & Angela Ricci Lucchi

 

ARTIST PAGES

Nina Yuen

 

COLOR ILLUSTRATIONS

Carlo Gabriele Tribbioli and Federico Lodoli

Roberto Minervini

Stephanie Wuertz

Jonathan Harris

 

INTERVIEWS

Scott MacDonald
Interview with Bill Morrison, 6 Recent Films

 

IN MEMORIAM

Peggy Ahwesh
Peter Hutton 1944–2016

Abigail Child
Tony Conrad 1940–2016

Table of Contents MFJ 65

TABLE OF CONTENTS

 

Introduction
Grahame Weinbren

 

REVIEWS

David Claerbout, KINDL Center for Contemporary Art
Steven Jacobs

Marianna Simnett, Seventeen gallery
Melvin Harper

Eve Fowler, Participant Inc.
Rachel Valinsky

Artificial Darkness by Noam M. Elcott
Robert Bowen

Pipilotti Rist, New Museum
Rachel Stevens

 

ARTIST PAGES

Is the Imagination Analog or Digital?
Tom Sherman

 

ARTICLES

Beware the Light: Figure versus Ground, White versus Black (Blue),
or: Sondra Perry’s Blue Room and Technologies of Race (Notes and Citations)
Soyoung Yoon

(Community) Video Art: DCTV’s Expanded Documentary Practice (Notes and Citations)
Joel Neville Anderson

The Invention of Glitch Video: Digital TV Dinner (Notes)
Michael Betancourt

 

INTERVIEWS

“What are we watching?!”: An Interview with Coleen Fitzgibbon about Colab TV (Notes and Citations)
Ben Olin

Connect and Rupture: Jesse McLean on See a Dog, Hear a Dog
Eli Horwatt

Books Received 2016

Table of Contents MFJ 66

TABLE OF CONTENTS

 

Introduction
Grahame Weinbren

 

REVIEWS

Agnès Varda
Rachel Valinsky

Experiments at Beirut Cinema Days
Laura U. Marks

Lu Yang: Delusional Mandala
Christian Whitworth

Two Old Festivals: Ann Arbor and Oberhausen 2017 (Notes and Citations)
Grahame Weinbren

 

ARTIST PAGES

LINES OF RESOLUTION
Joey Huertas

 

ARTICLES

Polish Cinema Art: The Search for Content (Notes and Citations)
Andrzej Jachimczyk

Babette Mangolte: A Discontinuous Body
Alexandra Symons Sutcliffe

Nonfiction as a Speculative Mode of Inquiry: Subjectivity and the Films of Ben Rivers and Ben Russell (Notes and Citations)
Dara Waldron

 

INTERVIEWS

Animated Holes: An Interview with Naomi Uman
Justin Remes

Highview: An Interview with Simon Liu
Richard Tuohy

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