Out of print

MFJ Books Bundle (Nos. 14/15, 19 & 60)

 

With this bundle, you will receive three in-depth MFJ volumes focusing on experimental film and the written word at a discount price.

 
The bundle contains:
 
MFJ 14/15 “Book Reviews / Theory”
 
MFJ 19 “Re-readings”
 
MFJ 60 “Fundamentals”

$45.00

Clear

Additional information

Weight 30.11 oz
Dimensions 7 × 10 in
Format

Print

Issue

, ,

Publication Date

15 October 2014, Fall Issue, February 1985, February 1987, Winter Issue

Medium

Table of Contents MFJ 14/15

TABLE OF CONTENTS

John Belton
Medieval Modernism: Bunuel’s Autobiography

Yvette Biro
In the Spiral of Time

Virginia Brooks
Film, Perception, and Cognitive Psychology

Jonathan Buchsbaum
Peter Wollen: In Search of Political Film

Fred Camper
Film: The Front Line

Noel Carroll
Medium Specificity Arguments and Self-Consciously Invented Arts: Film, Video, and Photography

Allan Casebier
To the Distant Observer

Bernard Friedman
The EFC Arrives: A National Coalition of Experimental Filmmakers

Lawrence Horn
On Video and Its Viewer

Ian Jarvie
Visible Fictions

Marjorie Keller
Women and Film

Joseph Margolis
Film as a Fine Art

Christopher Sharrett
Brakhage’s Scrapbook

P. Adams Sitney
Circles of Confusion

Francis Sparshott
Medium and Convention in Film and Video

Kristin Thompson
Eisenstein, Marshall, and Soviet Cinema

Dan Walworth
A Partial Report from the 34th International Berlin Film Festival

Table of Contents MFJ 19

TABLE OF CONTENTS

Noel Carroll
Hans Richter’s Struggle for Film

Lucy Fischer
The Films of James Sibley Watson, Jr., and Melville Webber: A Reconsideration

John Frazer
Cubism and the Cinema of Georges Méliès

Will Hindle
Letter to Dominic Angerame

Dan Nadaner
Metatourist in Metaworld: Patricia Gruben’s Sifted Evidence

Dominique Noguez
Towards Irreference: American Avant-Garde Film of the Sixties
From the Triumph of the Signified to the Rise of the Signifier

Tony Pipolo
Metaphorical Structures in La Passion de Jeanne d’Arc

Robin Ridless
Beyond the Real and the Imaginary: Chris Kraus’s How to Shoot a Crime and Other Films

Rob Stephenson
Interview with Trinh T. Minh-ha

William C. Wees
Visual Perception, Medium Specificity, and the Metaphor of the Camera Eye

Table of Contents MFJ 60

TABLE OF CONTENTS

Grahame Weinbren
Introduction

REVIEWS

Joel Schlemowitz
Karpotrotter at the Tribeca Film Festival

Caroline Koebel
52nd Ann Arbor Film Festival

J. Ronald Green
Lynne Sachs: Disarming Drift

Susan Felleman
Erika Balsom’s Exhibiting Cinema in Contemporary Art

ARTICLES

Kim Knowles
Self-Skilling and Home-Brewing: Some Reflections on Photochemical Film Culture

Pip Chodorov
The Artist-Run Film Labs

Alison Wielgus
Inside the Director’s Studio Screening Room, Art and Avant-Garde Cinema,
and Television’s Pedagogical Impulse

Ara Osterweil
James Turrell, Dreams Beyond Cinema

Joana Pimenta
Serial Chance: Inserts and Intruders

COLOR ILLUSTRATIONS

Penelope Spheeris
Bradley Eros and Aline Mare
Robert Schaller
Esther Unis
Joanna Vaude

ARTIST PAGES

Faith Holland
VVVVVV

INTERVIEWS

Enrico Camporesi and Rinaldo Censi
Single-takes and Great Complexities: A Conversation with Morgan Fisher

IN MEMORIAM

Jill Godmilow
Harun Farocki 1944–2014